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Innocuously, Harry stands close to the couple as they join the group of spectators around the band.

Another man named Paul (Michael Higgins), part of the eavesdropping team, with a hearing-aid wire and carrying a shopping bag with electronic recording devices inside a disguised gift package, also discreetly follows them to 'record' their conversation. Every time I see one of those old guys, I-I always think the same thing. Ann: I always think that he was once somebody's baby boy..he had a mother and a father who loved him. After the couple in the park kiss and depart, Harry leaves the van, removes his raincoat, and walks silently along the busy street to his apartment building.

His intensely-lonely life and paranoid, rigid resistance to being observed or known represses and blocks any hope of a long-term, intimate relationship between them: Amy: Does something special happen between us on your birthday? In a mesmerizing scene, he threads and synchronizes three tape recorders with the tapes from the three locales (Unit A: shopping bag, Unit B: parabolic, Unit C: City of Paris). You're supposed to tease me, give me hints, make me guess, you know. A young woman in her mid-twenties, Amy (Teri Garr) has been waiting for him in her bed. Once I saw you up by the staircase, hiding and watching for a whole hour. Sometimes I even think you're listening to me when I'm talking on the telephone. By playing all three recorders at the same time and varying their volumes on a mixer, Harry is able to construct, synthesize and splice together a fourth clearer recording onto another Ampex tape-recording machine. She wears white socks and a blue bathrobe: "I didn't think you were coming." Throughout the scene, Amy remains in the light, while Harry is shrouded in a cloak of shadows - and still wearing his translucent raincoat. (Harry appears embarrassed) You think you're gonna catch me at something, you know? He mutters to himself: "Happy Birthday." [During this scene, he walks off-screen. HERE'S TO ANOTHER, 44 (handwritten), THE SECURITY PACIFIC BANK." [Behind him visible through his window, a construction crew is demolishing a building.] After realizing she has snooped into his mail, he is painstaking about remaining private: "As of today, my mail will go to a post-office box with a combination on it and no keys. When I heard you open up the door, my toes were dancing under the covers. In solitude, he leaves and sadly rides the bus back to his own apartment.The camera acts strangely like a video surveillance device - it doesn't track his movement immediately, but later pans left and locates him on the sofa.] He dials his landlady, Mrs. You're really very nice, yes, but..I wanted to talk to you about was how did you put it in the apartment? Goodbye." Harry's sole means of relaxation that evening comes when he sits on a straight-backed chair in the center of his living room, a bland place dominated by phonograph equipment and loudspeakers, and plays his saxophone to the accompaniment of his hi-fi. In his mind, he replays the memory of eavesdropping on the young couple Ann and Mark, projecting his own isolation onto their encounter in the park.The film has some similarities to director Michelangelo Antonioni's provocative Blow-Up (1966), Brian De Palma's thriller Blow Out (1981), Tony Scott's Enemy of the State (1998), and Gore Verbinski's The Ring (2002).And the bloody scene in the bathroom paid homage to Hitchcock's Psycho (1960).The film opens, under the credits, with a bird's-eye view of Union Square in downtown San Francisco during a busy lunch time on a sunny day in December [later identified as December 2nd, 1 PM].Pedestrians, office workers on lunch break, and Christmas shoppers mingle together in the long view.She moves closer to the street musicians on bongos, hoping that their chatter will be inaudible to anyone else. When he pushes open the door to his sparsely-furnished, scrupulously-anonymous abode, an alarm sounds. I thought I had the only key...well, what emergency could possibly..right, yes. Harry: I don't want people to ask me a lot of questions. She can no longer wait for him to share his sparse, detached, limited, secretive, and fiercely-independent life that he protects with the same expertise that he uses in his occupation: Harry: You never used to ask a lot of questions.In the van, Paul speculates: "I got some good pieces, maybe 25 percent." When Stanley asks Harry about their operation, he flatly responds that he doesn't show curiosity, or care about and question what he is doing: Stanley: Who's interested in these two, anyway? Behind the door is a wrapped wine bottle - a birthday present. You see, I would be perfectly happy to have all my personal things burned up in a fire because I don't have anything personal. No, nothing personal except my keys, you see, which I really would like to have the only copy of, Mrs. While talking to her, he both removes his trousers and opens up a greeting card sent in the mail from his bank: "TO OUR VALUED CUSTOMER, Harry (handwritten), HAPPY BIRTHDAY.... Amy: Harry, I was so happy when you came over tonight.

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